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New York Fine Print Fair 2022


Prints in the Expanded Field

IFPDA Print Month 2021

Art History, Visibility, and the Dissolving of Anna Mary Howitt

Picturing the Invisible Conference

University College London, 2020

Authorship, Authenticity and Forgery

School of the Art Institute of Chicago

Annual Seminar Course


Codex Camp: Form, Flirtation and the Artist’s Book

 Reva and David Logan Symposium on the Artist’s Book

Fine Arts Museums of San Francisco 2019


Bugs in Chocolate: the United States Pavilion at the 1970 Venice Biennale

 Fondation Custodia, Paris, 2018


Workman’s Comp: Jim Dine and Tools

Bruce Museum, Greenwich CT, 2018


Universality Plus Difference: Prints and Place

First Edition Symposium, Cork, Ireland, 2017


America: Widescreen

Inaugural lecture for American Dream: Pop to the Present

The British Museum, London, 2017


It’s Complicated: Why Prints Still Matter

University of Texas, Austin, 2017


Here and There: the Local in Contemporary Art

Tyler School of Art, Print/Think Conference, 2016


Unabridged and Incomplete: Series and Sequences in Contemporary Art

National Gallery of Art, Washington DC, 2016   >>>


Turf Wars

Printmaking in the Expanded Field International Conference

Oslo Academy of the Arts, Oslo 2015

What We Talk About When We Talk About Prints

3rd International Printmaking Symposium, Bentlage, Germany 2015


Roads and Sewers: Infrastructures of Art Production

Mid-America Print Council Conference, Detroit, 2014


Richard Tuttle: the Theater of Attention

Bowdoin College, Brunswick, 2014

There’s No Such Thing as Very Unique

Cranbrook College of Art, Bloomfield Hills, 2012


Multiples and Multiplicity

College Art Association Conference, 2010


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