LECTURES, KEYNOTES, TEACHING

Tronies

New York Fine Print Fair 2022

Prints in the Expanded Field

IFPDA Print Month 2021

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Art History, Visibility, and the Dissolving of Anna Mary Howitt

Picturing the Invisible Conference

University College London, 2020

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Authorship, Authenticity and Forgery

School of the Art Institute of Chicago

Annual Seminar Course

2009–2019

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Codex Camp: Form, Flirtation and the Artist’s Book

 Reva and David Logan Symposium on the Artist’s Book

Fine Arts Museums of San Francisco 2019

Bugs in Chocolate: the United States Pavilion at the 1970 Venice Biennale

 Fondation Custodia, Paris, 2018

Workman’s Comp: Jim Dine and Tools

Bruce Museum, Greenwich CT, 2018

Universality Plus Difference: Prints and Place

First Edition Symposium, Cork, Ireland, 2017

America: Widescreen

Inaugural lecture for American Dream: Pop to the Present

The British Museum, London, 2017

It’s Complicated: Why Prints Still Matter

University of Texas, Austin, 2017

Here and There: the Local in Contemporary Art

Tyler School of Art, Print/Think Conference, 2016

Unabridged and Incomplete: Series and Sequences in Contemporary Art

National Gallery of Art, Washington DC, 2016   >>>

Turf Wars

Printmaking in the Expanded Field International Conference

Oslo Academy of the Arts, Oslo 2015

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What We Talk About When We Talk About Prints

3rd International Printmaking Symposium, Bentlage, Germany 2015

Roads and Sewers: Infrastructures of Art Production

Mid-America Print Council Conference, Detroit, 2014

Richard Tuttle: the Theater of Attention

Bowdoin College, Brunswick, 2014

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There’s No Such Thing as Very Unique

Cranbrook College of Art, Bloomfield Hills, 2012

Multiples and Multiplicity

College Art Association Conference, 2010

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